0
Skip to Content
Year End Show! 2025
Undergraduate
Graduate
Special Projects
Design With [Less Than] Nothing
Remake/Remix
Film Titles
YES! The Exhibition
Award Winners
Acknowledgements
Support Us
Year End Show! 2025
Undergraduate
Graduate
Special Projects
Design With [Less Than] Nothing
Remake/Remix
Film Titles
YES! The Exhibition
Award Winners
Acknowledgements
Support Us
Undergraduate
Graduate
Folder: Special Projects
Back
Design With [Less Than] Nothing
Remake/Remix
Film Titles
YES! The Exhibition
Award Winners
Acknowledgements
Support Us
Undergraduate Desi Lentz
Index.jpg Image 1 of
Index.jpg
Index.jpg

Desi Lentz

$0.00
Add To Cart

Desi Lentz

The Landscape of Letters: Noviidot
Noviidot reimagines and expands Braille by introducing physically distinct bold and italic textures to a system that—while essential—has remained largely unchanged for nearly two centuries. Whereas visual typography has evolved to convey tone, volume, and intention through stylistic variation, Braille relies on symbolic indicators that do not alter the tactile experience of reading like we experience in sighted reading. This reliance flattens language into uniform dots, limiting expressive possibilities for Braille readers and writers. Noviidot proposes a new design language for tactile typography—one that makes reading and writing Braille a more dynamic, creative process. A table-top device inspired by a tortilla press, it uses a block-based system allowing users to place Braille characters in readable orientation and apply regular, bold, or italic styles. By overlaying paper and applying pressure from above, users can emboss text without needing to reverse layouts or operate complex machinery commonly found in embossing and Braille devices. Noviidot promotes autonomy and self-expression, allowing users to shape not just content, but tone, emphasis, and personality. At the same time, its visual integrity invites full-vision users to engage with the tool as a discursive object—bridging tactile and visual language through form. Centering lived experience, Noviidot challenges able-bodied assumptions about communication—advocating for a richer, more expressive future for tactile literacy. This project asks: why shouldn’t accessible tools also be creative tools?

 

Contact:

Name *

Thank you!

Desi1.jpg
 A comparison of current Braille writing tools—Slate & Stylus, Perkins Brailler, and Brailliant Display—highlighting the market gap between costs and function.
 Insights from disability advocates and people with blindness reveal a critical gap: current Braille tools prioritize creative elements. Their reflections emphasize the need for accessible, expressive alternatives for Braille users.
 A series documenting the iterative prototyping process: 3D-printed Braille blocks tested for tactile clarity and usability, mockup grid development for layout precision, tortilla press embossing trials, material testing for optimal backing support,
 The finalized embossed paper featuring (from bottom to top) the selected italic and bold Braille alongside standard Braille—demonstrating a new system of expressive embossing that enhances readability through nuanced tactility.
Desi6.jpg
 Further functional refinments were created in CAD software, along with a bold+italic Braille.
 Those refinments were then 3D printed using resin filament.
 Over 250 blocks were printed to encompass the entire alphabet, plus it's bold and italic counter parts. Punctuaiton was also added along with space fillers.
 A grid was designed to place the Braille blocks securely on the press, mimicking a standard page of Braille, with 25 lines with a maximum of 40 cells per line.
Desi11.jpg
 This three-layer embossing device enables consistent, expressive Braille printing. The bottom layer houses a grid system for placing Braille blocks and paper. The middle layer holds a cutting mat, providing the ideal resistance for embossing. The to
 This physical prototype demonstrates the final form of the embossing device. Crafted from plywood and stained green to reflect a cohesive visual identity, the design incorporates an acrylic handle to introduce tactile contrast. The combination of ma
 Side view
 From left to right; Back and Front view
Desi16.jpg
Desi18.jpg
Desi19.jpg
Desi17.jpg

A short demonstration of the embossing device in action—showing how the top layer opens and closes smoothly over the Braille grid system.

YEAR END SHOW! 2025

School of Design
College of Architecture, Design, and the Arts
University of Illinois Chicago

1300 Architecture + Design Studios
845 W. Harrison Street
Chicago, Illinois 60607

312.996.2611
design@uic.edu

Student Work

Undergraduate
Graduate

Past Digital Exhibitions

YES! 2024
YES! 2023
YES! 2022
YES! 2021
YES! 2020